The Spring (Leap)
oil on canvas, 40 x 30, 2011-2012
Oil on Canvas / 2007 / Original Size:117w x 107h cm
Original Status: Available for Sale “
Such a detailed, beautiful painting!
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Christy Heyob writes, “At first glance, from a distance, I thought I was looking at an image that incorporated a form of Pointillism. Upon closer inspection, it became clear that artist Matthew Davis’ paintings display more than just a multitude of dots. The works require far more attention and patience to construct. (Keep in mind: Pointillism is not quick and easy.)
Davis’ time-consuming, yet effective technique involves dripping drops of oil paints in layers. Between each layer, the artist waits for the paints to fully dry. The amount of time spent waiting for each layer to dry coupled with the time and precision to create the rippling swarm of circles in each image is incredible.
On top of all of that, Davis utilizes a wide range of colors you wouldn’t think to include and it works brilliantly! A blue pool of water is adorned with swirls of reds and greens. A dark night sky is bubbled with rings of whites, oranges, yellows. It seems like everything has every color in it, yet one subject is distinguishable from another. Really remarkable work! “
Amazing technique. Beautiful!
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JafaBrit’s Art writes, “It’s Earth Day and I wish
I were wiggling my toes in the dirt and the sun was shining, but it’s raining and it’s cold. So instead I will enjoy the blossoms and shades of green from my window.”
Very nice painting!
Check out Corrine Bayraktaroglu aka JafaBrit at Jafabrit’s Art !
Naomi writes, “Today’s going to be a little lesson on painting flesh. I’m still working on Emma and going to be painting her ankles and feet. She’s sitting on a rock on the beach and the reflection of light on her skin renders a slightly blue purple color on her skin. She’s a red-head and has very fair skin too. The rocks she sitting on, will be darker shades of blues and purples with light reflecting from the sky, sunlight and water. The orange u see, is the under-painting.
The base color for flesh is Ultramarine blue and Burnt Sienna plus white. So mix up a pile. To warm it up add a dash of Transparent red Oxide. This is a very strong pigment, so just a tiny bit at a time. For the tender flesh areas, add a dash of lemon yellow to the base color.
Mix up a pile of Permanent Alizarin and ultramarine blue to cool the flesh tone down mix in the purple-blue color to the base, really depends on the light. For dry brush scumbling I use a pink mixture of permanent alizarin plus white to give the skin it’s luminosity. The tips of the toes are going to be a red pink tone because of the blood flow. For the veiny area add a little lemon yellow with a hint of green into the flesh base.
I use a mix of burnt sienna and ultramarine blue for my darks and also a dark mix of Viridian and Permanent Alizarin.
Now I’m set and ready to paint. I begin with the shadow under her right foot, then paint in the red areas on the soles of her foot with Transparent red oxide, cad red and Alizarin mixed in with some flesh tone. On the lighter tones I added a dash lemon to the flesh and the pink red tone on the top of her foot is a little cad red and alizarin mixed into the flesh base. I used lemon yellow for highlights. I blended the shadow color under the foot and painted in some of the surrounding rock.
I wanted this foot to kind of blend in with the background as it’s not part of the focal point. So subtlety is the key. “
Very beautiful painting!
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